SIMILO. 21 min. 2014.
2065. The entire planet is hit by the effects of climate change. One of the few places that remain habitable is Antarctica, where corporations have built private cities.
Hebe and Ciro get back together again. She is looking for love. He is searching for his own identity.
> ABOUT THE SHORT FILM blackmilk.eu/similobts
> CONCEPT ART blackmilk.eu/similoart
A wry glance at the possible impact of the Scottish independence referendum on the 18th September 2014. Neither for, nor against, this short film is firmly sitting on its hands while smiling to itself (but not in a smart-arse kind of a way or anything like that).
To ALL my friends, I want to throw one last party bash before leaving for a little while to Sheffield and possibly Oxford. Also it was my birthday nearly a month ago and I didn’t really celebrate it with you guys! Details to come on facebook.
Shot on a 550d
Terrible old 3.0f 24mm FD lens with adaptor (throwing that one away now)
Written (not really), directed, badly acted, edited and terrible sound design by Caroline Pires.
LIVE INSTALLATION ON 2014/8/28
NOBUMICHI ASAI (PLANNER / PRODUCER / TECHNICAL PRODUCER - P.I.C.S.)
HIROTO KUWAHARA (ART DIRECTOR & MAKEUP)
PAUL LACROIX (TECHNICAL DIRECTOR / PROGRAMMER - TRANSIT DIGITAL WORKS)
JIN HASEGAWA (CG DESIGNER - SPADE)
TAKASHI ISHIBASHI (CG DESIGNER - SPADE)
AYAKA MOTOYOSHI (PRODUCTION MANAGER - P.I.C.S.)
AYA KUMAKURA (PRODUCTION MANAGER)
YOSHIHIRO UENO (PRODUCTION MANAGER - P.I.C.S.)
KAZUHIRO NAKAMURA (COLORIST - McRAY)
KENJI NAKAZONO (PHOTOGRAPHER - CREATIVE STUDIO WORKS)
KIMIHIRO MORIKAWA (PHOTOGRAPHER - SHOOTING & LIGHTING)
RHEA TOR’S INC.
K.FURUMOTO (HAIR - &´S MANAGEMENT)
YUKA SEKIMIZU (MODEL - SATORU JAPAN)
HIDEAKI TAKAHASHI(MUSIC - mjuc)
Is there a better way of showing a text message in a film? How about the internet? Even though we’re well into the digital age, film is still ineffective at depicting the world we live in. Maybe the solution lies not in content, but in form.
For educational purposes only. You can follow me at twitter.com/tonyszhou
Trent Reznor & Atticus Ross - In Motion (from The Social Network)
David Arnold & Michael Price - On the Move (from Sherlock)
Daft Punk - End of Line (from Tron: Legacy)
Al Hirt - Green Hornet Theme (from Kill Bill Vol. 1)
In this tutorial I’ll show you how to accurately and automatically remove an object from a scene by using the Camera Track as its own Motion Control pass. We’ll also look at how to use multiple cameras to achieve the same thing. This technique is not specific to the footage provided.
Project Files: dropbox.com/s/zjzq0b7q7oi2bza/moco_in_AE_projectFiles.zip [153.15 MB]
Addition Files: dropbox.com/s/r8ac0o9wm1uu92r/moco_in_AE_additionFiles.zip [472.22 MB]
0:00 - Introduction
0:23 - Project Overview & Layer Setup
1:23 - Projector Expressions
4:42 - Projection Positioning & Expression
6:41 - Cast Projections
7:29 - Using the Slider
9:10 - Revisiting the Expressions
11:55 - MultiCam: Overview & Layer Setup
13:45 - MultiCam: Projector Expressions
15:09 - MultiCam: Projection Positioning & Expression
16:18 - MultiCam: Cast Projections
16:59 - MultiCam: Using the Slider
18:38 - Using 3D Mattes
20:10 - Conclusion
This video explains the steps on creating a Dolly Zoom for a timelapse and incorporating a hyperlapse.
Genustech Universal Adapter Bar System - to hold the rails for the follow focus
CAMTREE Solid Gear Follow Focus - to zoom the lens out between each shot
Manfrotto 535 Tripod legs - has a half bowl mount which is important for a good hyperlapse
Sachtler FSB-8 Tripod head - has a half ball mount which is important for a good hyperlapse
LRTimelapse - For smoothing out exposure jumps as the sun went down
Adobe Bridge CS6 - For selecting photos when there was an exposure bump
Adobe Camera Raw CS6 - For giving the photos a look and matching exposure bumps
Adobe After Effects CS6 - Makes photos into a video file and smooths out shaky video.