HaZ - VFX

Zero Dark Thirty Edit from Territory on Vimeo.Kathryn...

fubarmovie — Mon, 17 Jun 2013 14:16:23 -0400

Zero Dark Thirty Edit from Territory on Vimeo.

Kathryn Bigelow’s award-winning feature film required computer screens depicting aerial surveillance. Territory’s CGI and design team created the scenes from scratch to be played back on-set and posted into shots afterwards. Director: Kathryn Bigelow © Columbia Pictures 2012

Edit sound and music: Georgi Marinov

MODO 701 - Creating a Human 2.0 for the short film...

fubarmovie — Sun, 16 Jun 2013 12:10:17 -0400

MODO 701 - Creating a Human 2.0 for the short film ‘Project kronos’. from john sellings on Vimeo.

Workflow tutorial video looking at the creation of the Human 2.0 asset for the short film ‘Project Kronos’ - Created by John Sellings - vivavancouverproductions.co.uk

Project Kronos is a documentary film set in the not too distant future, following a mission to achieve interstellar space travel. As the mission unfolds with extraordinary results, the scientists find themselves dealing with a much bigger agenda. - CHECK IT OUT HERE: vimeo.com/65014898

Written and Directed by Hasraf ‘HaZ’ Dulull

Technology Sponsored by Adobe

Produced by Masked Frame Pictures
maskedframepictures.com

Soundtrack available on
piernicoladimuro.bandcamp.com/

Representation: Scott Glassgold / I AM Entertainment

Contact: scottglassgold@iamsports-ent.com

The Grandmaster | Visual Effects Making Of from BUF on Vimeo.|...

fubarmovie — Sun, 09 Jun 2013 11:26:27 -0400

The Grandmaster | Visual Effects Making Of from BUF on Vimeo.

| Director: Wong Kar Wai
| Production: Jet Tone Productions
| Number of VFX shots: 512

Credits
| Music: “La horse” / Serge Gainsbourg - J.C Vannier
| Montage by Charles Labriet

VFX Production Notes
| buf.com/visual_effects.php?display=text&id=1053&year=2013

While We're Waiting for Christopher Nolan's Interstellar....

fubarmovie — Mon, 27 May 2013 16:37:31 -0400

While We're Waiting for Christopher Nolan's Interstellar....

OBLIVION end credit sequence from Danny Yount on Vimeo.Produced...

fubarmovie — Mon, 29 Apr 2013 04:33:34 -0400

OBLIVION end credit sequence from Danny Yount on Vimeo.

Produced at Prologue Films 2013

prologue.com
dannyyount.com

Project Kronos from Hasraf HaZ Dulull on Vimeo.Project Kronos is...

fubarmovie — Sun, 28 Apr 2013 22:10:55 -0400

Project Kronos from Hasraf HaZ Dulull on Vimeo.

Project Kronos is a documentary film set in the not too distant future, following a mission to achieve interstellar space travel. As the mission unfolds with extraordinary results, the scientists find themselves dealing with a much bigger agenda.

Written and Directed by Hasraf ‘HaZ’ Dulull

Technology Sponsored by Adobe

Produced by Masked Frame Pictures
maskedframepictures.com

Representation: Scott Glassgold / I AM Entertainment

Contact: scottglassgold@iamsports-ent.com

Making of VFX Mikros image de Ghost Recon Alpha from Mikros...

fubarmovie — Sun, 28 Apr 2013 18:33:00 -0400

Making of VFX Mikros image de Ghost Recon Alpha from Mikros image on Vimeo.

Making of VFX of short-movie Ghost Recon Alpha directed by CG Lead Antoine Carlon at Mikros image.
—
Site internet Mikros image : mikrosimage.eu/realisations/ghost-recon-alpha/

Creating the World of “Oblivion” (2013) from The...

fubarmovie — Thu, 25 Apr 2013 17:00:40 -0400

Creating the World of “Oblivion” (2013) from The Creators Project on Vimeo.

A behind-the-scenes look at “Oblivion” (2013) and the film’s innovative in-camera special effects with director Joe Kosinski, lead graphics animator David “dlew” Lewandowski, and design director Bradley “Gmunk” Munkowitz.

The Creators Project is a partnership between Intel and VICE:
thecreatorsproject.com/

_______________________________

Facebook: fb.com/thecreatorsproject
Twitter: twitter.com/creatorsproject
Tumblr: thecreatorsproject.tumblr.com/

Halo 4 Spartan Ops Behind the Scenes 2 from axisanimation on...

fubarmovie — Thu, 25 Apr 2013 16:57:27 -0400

Halo 4 Spartan Ops Behind the Scenes 2 from axisanimation on Vimeo.

Halo 4 Spartan Ops is a series of ten episodes following Fire Team Majestic aboard the massive UNSC Infinity six months after the end of the main campaign of Halo 4.

Client: Microsoft Games / 343 Industries
All animation production by Axis
Director: Stuart Aitken
Senior Producer: Debbie Ross

HALO4.COM
Copyright Microsoft Corporation. All rights reserved. Microsoft, Halo, the Halo logo,
the Microsoft Games Studios logo, the 343 Industries logo, Xbox, Xbox 360, Xbox LIVE,
and the Xbox logo are trademarks of the Microsoft group of companies.

Project Kronos Trailer. Stay tuned for release date and info...

fubarmovie — Mon, 22 Apr 2013 11:36:29 -0400

Project Kronos Trailer. Stay tuned for release date and info coming very soon.

Project Kronos is an upcoming documentary film following a mission to achieve interstellar space travel. As the mission unfolds, the scientists find themselves questioning whether the space agency’s solution to achieving interstellar space travel is ethical at all.

Written and Directed by Hasraf ‘HaZ’ Dulull

Technology Sponsored by Adobe

Produced by Masked Frame Pictures
maskedframepictures.com

Representation: Scott Glassgold / I AM Entertainment

Contact: scottglassgold@iamsports-ent.com

A brand new poster for the second short film from the Director...

fubarmovie — Mon, 22 Apr 2013 11:32:56 -0400

A brand new poster for the second short film from the Director of Fubar Redux has been released today. Check it out with a release date on there too!

Bargain!! from Allan Chesher on Vimeo.Tropfest Finalist...

fubarmovie — Sun, 21 Apr 2013 17:50:09 -0400

Bargain!! from Allan Chesher on Vimeo.

Tropfest Finalist 2009
Graded in Scratch. Directed by Rebecca Givney. DOP Rodrigo Vidal Dawson. Starring Rebel Wilson| Andrew Steel| Shannon Dooley

OBLIVION GFX Montage from GMUNK on Vimeo.The mighty Joseph...

fubarmovie — Sat, 20 Apr 2013 12:55:00 -0400

OBLIVION GFX Montage from GMUNK on Vimeo.

The mighty Joseph Kosinski invited Munkowitz to the GFX party once again, this time for his spring blockbuster feature film OBLIVION™… Predictably, the list of graphic assets to be created was obscene, so munko assembled and led another super team of GFX mercenaries and descended into the lovely confines of Crater Lake Productions to generate the aforementioned fuckload of graphic content… Working with Joseph always brings out the best in Munk and Company, and this time around was certainly no exception… OBLIVION © Universal Pictures, Inc. All Rights Reserved.

GFX METHODOLOGY

The briefing for the Graphic Language stressed functionality and minimalism while utilizing a bright, unified color palette that would appear equally well on both a dark or bright backdrop… The function was to reflect the modernized sensibilities of the TET Mainframe computer and would assist the characters with the key components of their duties on earth; be it the monitoring of all Vitals on the ground using Vika’s Light Table, or the various diagnostics in the air using the Jack’s Bubbleship… For good measure, the team also designed and animated all of the HUD UI for the various machines and weaponry in the film cuz they could, establishing a consistent graphic language that rendered all the interfaces with a loverly cohesion rarely seen in them massive-budget Sci-Fi productions…

OBLIVION LIGHT TABLE UI

One of the most widely seen Graphic elements was Vika’s Light Table, which allowed her to guide Jack Harper through his tasks as a Drone repair man in the field of duty… The table itself was built practically, so most of the visuals were captured in-camera, lending a beautiful optical touch to the design ( thx Joe & Claudio )… The table consisted of four screens: A main map that Vika used to monitor the Bubbleship, Drone, and Scav positioning, a Drone Monitor which tracked all their key vitals and fuel status, A Hydro Rig monitor that displayed the collection progress for the large resource gatherers over the ocean, and finally a Weather Screen which showed the Tet’s online status and also key vitals of the ever-changing weather systems… A couple extra tasks had the team designing another Map Diagnostic screen on a milky-white breakfast table top and a few key standalone windows that were analyzing Rogue Signal feeds that were key story points in the film…

OBLIVION BUBBLESHIP UI

Jack’s helicopter, a remarkable Daniel Simon creation called the Bubbleship, was Jack’s paramount vehicle in the film… The UI appeared as a hologram embedded within the spherical glass cockpit, done to perfection by the lovely folks at Pixomondo, and functioned to assist Jack in his flight and combat duties throughout the film… The team researched a grip of Flight simulator and Helicopter Combat interfaces and sought to modernize the aesthetic while still delivering key functionality that would mimic real-world flight tools… And of course the team didn’t want to fuck up Simon’s baby with ugly UI, the German wrath was implanted deep within and ultimately, the Bubbleship UI was by far the most researched and pampered graphic task…

OBLIVION HUD GFX

The team also designed all of the Machinery HUDs and various Gauges in the film, be it the Drone Machine Vision, Jack’s Gun HUD, all the Scav equipment and some of Jack’s smaller vehicles… The interfaces again stressed functionality over excess, keeping the Greeble under control and communicating key story points throughout the film.. All of these graphic elements were ingested by the VFX Vendors and ultimately integrated seamlessly into the live-action plates; many thanks mighty peoples…

OBLVN Light Table UI Credit list

Production Facility: Crater Lake Productions
Oblivion Director: Joseph Kosinski
Oblivion Producer: Steve Gaubs
Oblivion Assistant Producer: David Feinblserbr

Graphics Design Director: Bradley G Munkowitz
Lead Graphic Designers: Bradley G Munkowitz, Jake Sargeant
Graphic Designers: Joseph Chanimal, Alexander Perry
Lead Graphics Animators: David Lewandowski, Joseph Chanimal
Graphics Animator: Alexander Perry

OBLVN Bubbleship UI Credit list

Graphics Design Director: Bradley G Munkowitz
Lead Graphic Designers: Bradley G Munkowitz, Joseph Chanimal
Lead Graphics Animator: Navarro Parker
Graphics Animator: Joseph Chanimal

OBLVN HUD GFX Credit list

Graphics Design Director: Bradley G Munkowitz
Lead Graphic Designers: Joseph Chanimal, Bradley G Munkowitz
Graphic Designer: Alexander Perry
Lead Graphics Animators: Navarro Parker, Alexander Perry
Graphics Animator: Joseph Chanimal

OBLVN Process Montage Credit list

Production Facility: Autofuss
Design Director: Bradley G Munkowitz
Lead Editor: Ian Colon
Director of Photography: Ian Colon

After Effects: Cineware & Cinema 4D Lite from Motionworks on...

fubarmovie — Fri, 05 Apr 2013 04:35:06 -0400

After Effects: Cineware & Cinema 4D Lite from Motionworks on Vimeo.

The next version of After Effects includes closer integration with Cinema 4D, allowing users to open Cinema 4D files directly within After Effects. A new Lite version of Cinema 4D will also be bundled with After Effects! In this overview I demonstrate the new Cineware effect and discuss the benefits of this exciting new workflow.

Printemps du cinéma 2013 / Making of from BlackMeal on Vimeo.

fubarmovie — Sat, 30 Mar 2013 04:24:16 -0400

Printemps du cinéma 2013 / Making of from BlackMeal on Vimeo.

SONY MOUSE & CAT - GFX Process Montage from GMUNK on...

fubarmovie — Fri, 29 Mar 2013 10:59:20 -0400

SONY MOUSE & CAT - GFX Process Montage from GMUNK on Vimeo.

SONY Mouse & Cat GFX Credit list

Production Company: The Moving Picture Company
MPC Creative Director: Paul O’Shea
MPC Producer: Megan Kennedy
GFX Design Director: Bradley G Munkowitz
Lead Graphic Designer: Bradley G Munkowitz
Graphic Designer: Joseph Chanimal
Lead Graphics Animator: Navarro Parker
Graphics Animator: Joseph Chanimal

ralphewig: Project Kronos - this is a trailer for an...

fubarmovie — Tue, 26 Mar 2013 20:46:28 -0400

ralphewig:

Project Kronos - this is a trailer for an independent movie dealing with interstellar space travel. The full movie is to be released next month, and I’m very much looking forward to it. The realistic imagery used in the trailer makes me hope for a story where the adventure and challenges of space travel itself will drive the plot (rather than bug eyed monsters). There’s also a transhumanist angle, as the opening sequence quotes Arthur C. Clarke saying that “the stars are not for (biological) humans”.

The film, scheduled to be released on April 15, is presented as a faux-documentary that takes place in the future, in which personnel involved in an interstellar space travel program describe what the project was and their involvement with it. The interviews seem almost confessional, as if each one is taking care to define exactly what their role was even as they wrestle with the ethics of their decisions.

The trailer for the film, which is supported in part by Adobe, shows a mix of scripted interviews and archived NASA footage with overlayed CGI elements. The interplay between the technology, science, and moral consequences creates intrigue and suspense.

HALO 4: FUD - Title Sequence - Making Of from Polynoid on...

fubarmovie — Tue, 26 Mar 2013 20:02:53 -0400

HALO 4: FUD - Title Sequence - Making Of from Polynoid on Vimeo.

sound by Michael Fakesch

more material at polynoid.tv/fud/

Prometheus UI reel from Territory on Vimeo.Territory worked with...

fubarmovie — Mon, 25 Mar 2013 09:50:50 -0400

Prometheus UI reel from Territory on Vimeo.

Territory worked with Ridley Scott and 20th Century Fox to design and animate hundreds of computer graphics and projections both on-set and post for Prometheus.

Making the transition from visual effects to Directing and Producing

fubarmovie — Sat, 23 Mar 2013 15:13:18 -0400

Making the transition from visual effects to Directing and Producing:

Cool magazine article just released today covering my career of moving from VFX to Directing.